Maria Anwander (b. 1980) from Vorarlberg knows how to kiss the walls of the most famous museums of the world so intensely that she not only leaves behind a work in the form of an illegal performance but, above all, questions the hierarchies in the art world. As a conceptual artist she dedicates the majority of her research towards so-called institutional critique, whereby, besides art institutions and their roles, she is also interested in the whole art system, especially artists.
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