Since the end of the 1950s, Tone Vigeland has occupied a central position in Norwegian art as an internationally acclaimed jewelry artist. Her work is held in collections including the V&A, London, MoMA, New York and the The National Museum of Art, Architecture and Design, Oslo. In the mid-’90s, her practice began to develop in a new direction as she started to work on objects that were entirely independent of the body, employing an increasingly sculptural language and tradition.
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