Marcel van Eeden’s (b. 1965, The Hague; lives and works in Zurich) series of drawings are based on documents and visual materials, predating his birth and interweave historical and fictional narratives into a film noir-esque plot. The three series on show center on the fictitious archeologist-spy Oswald Sollmann. One of them was made especially for the exhibition and refers to the establishment of the Tel Aviv Museum and the diverse activities of its patrons during 1930-1934.
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