Right from the beginning of his solo exhibition at the Synagogue de Delme, Clément Rodzielski presents a contradictory gesture: a blind space into which eyes and bodies stumble. It is a centrifugal volume to be circled, as one circles around an unresolved question, nevertheless inviting us to go look elsewhere, at the border, in the margins and passageways.
People often mention Clément Rodzielski’s relationship with images: cutting-out, displacing, unframing, reassembling images that surround us, all-consuming images of communication, cinema, fashion, the web.
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