This coming year, the Grazer Kunstverein continues its exploration into notions of social abstraction by presenting work by artists who investigate and translate their physical relationship towards their surroundings.
Over the past decade, artist Lisa Oppenheim (b. 1975, US) has steadily developed a unique body of work exploring the usage of (historical) imagery. 
Balanced between appropriation and reconstruction, her work relies on substitutions applied to photographic and filmic records through which the historical and the present are transmitted and constituted through a language of today.
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