Ane Mette Hol uses drawing as a method for investigating the relationship between originals and reproductions. Her painstaking work often results in accurately copied objects and phenomena, which may often seem mundane and trivial. Her works often infiltrate the context of the exhibition, or question the very medium of drawing. Hol’s working methods are signified by precision and patience; using paper and drawing tools, she copies things down to the smallest detail.
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