The work of Sonia Almeida explores the disjunction between our sensory experience of color and the ways in which the scientific analysis of color is thought to provide facts about reality. In doing so, Almeida engages the limits of abstraction and how elements traditionally associated with other mediums and disciplines can be operative in painting.
Stacking ? and Dismantling ? relate the Greek origins of Western thought on abstraction to the symbol ?, used to symbolize the ratio of a circle’s circumference to its diameter and which represents an infinite string of numbers.
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