Ever since the beginning of the 1990s and his participation in Documenta11 (2002) in Kassel and at the Venice Biennale (2005 and 2009), Pascale Marthine Tayou has been known to a broad international public. His work is characterized by its variability, since he confines himself in his artistic work neither to one medium nor to a particular set of issues. While his themes may be various, they all use the artist himself as a person as their point of departure.
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