In Re Petitioner in Zero Time 2, Hannah Sawtell reconfigures a work first presented in London last year, adapting it very specifically to its new context in Bergen. Comprising a looped digital video, an electronic soundtrack recorded live in the exhibition space, and a series of sculptural elements which also serve as a “bespoke psychoacoustic apparatus,” it also includes a new publication, Broadsheet #5, produced on the occasion of the exhibition and part of an itinerant, ongoing series begun in 2012.
Hannah Sawtell´s work encompasses sound, video, digital media, performance and sculpture and often centers itself around an investigation and critique of neo-liberal market economies and the possibility of a radical left.
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