Afterall is pleased to present issue 34, Autumn/Winter 2013, which looks at the inscription of ideology, power and desire in cultural production through the work of Lene Berg, Mary Ellen Carroll, Lili Dujourie, Lucy McKenzie and Haegue Yang. Accompanying essays discuss questions of artistic and curatorial agency in Mike Kelley’s exhibition The Uncanny (1993/2004), the legacy of social realist painting in the Philippines and the challenges faced by museums in adapting to today’s experience economy.
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