Para Site is delighted to present Great Crescent: Art and Agitation in the 1960s—Japan, South Korea, and Taiwan. A small essay of comparative art history, this exhibition highlights “anti-art” performative tendencies in Japan, South Korea, and Taiwan in the 1960s—a decade of turbulence and transformation worldwide, which was also a critical period in the social and political, as well as cultural and artistic histories of the three neighboring countries. Against the mainstream dominated by modernist abstraction in each country, orientations toward the use of the artist’s body and ephemeral action emerged not only as local manifestations of a broader movement in international postwar art but also as indigenous responses to their respective national contexts.
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