In 1973 video celebrated its tenth anniversary, and Nam June Paik made what would become the cult tape of the history of video—Global Groove. That same year the Musée cantonal des Beaux-Arts, Lausanne, started its collection of videos by acquiring Limite E (1973), a work by Jean Otth.
Since then, from experimenting with the medium to using it to record actions, from the TV set to projection, from the frontal relationship with viewers to their involvement in the installation space, video has developed in a number of radically different ways.
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