The works of Roman Ondák (b. 1966; Žilina, Slovakia) question the circumstances of the artwork in its relation to the conventions which determine the space and time of its presentation. Viewers are confronted with situations induced by the artist, often almost imperceptibly, which displace them from their own expectations. A discovery and knowledge of Ondák’s works gives rise to reflection and critical commentary upon what may or may not be identifiable as art, in an exercise of amplification of the recognizable world.
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