The title and the form of the Epidemic exhibition refer to Lars von Trier’s Epidemic (1987), a film from the Europa Trilogy by the Danish director. Combining documentary and fictional elements, the film constitutes an attempt at presenting the process of working on a script. Autothematic reflection on the film introduced by von Trier provides the starting point for the Epidemic exhibition, which is—first and foremost—an attempt to test the idea of an art exhibition as a medium.
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