In over 30 years of exhibiting, the Austrian artist Heimo Zobernig (born in Mauthen in 1958, lives in Vienna) has managed to prevent his multi-faceted work and its meaning from falling into the rigidity of an ‘œuvre’ and to remain mobile in altered contexts. The apparent pragmatism and concise style of Zobernig’s works are countered by a playful interaction with the concept of sculpture, which—studded with historical references and quotes—always raises more questions than it answers about the legacy of modernism and the actual present.
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