On occasion of the twenty-fifth anniversary of the Generali Foundation, three international curators—Guillaume Désanges, Helmut Draxler, and Gertrud Sandqvist—will each design an exhibition using very different presentation formats to reflect, from their individual vantage points, on the Generali Foundation’s collection, institutional and exhibition politics, and hence its contribution to historiography on the basis of institutional work. These different perspectives the curators illuminate, the questions they raise concerning the definitions of what is called conceptual art or—more broadly conceived—conceptualist art and what it means to collect and curate it, and their reflections on the relationship between conceptual as well as historic display strategies and the works of art form the point of departure for the subsequent discussion events and lectures throughout the anniversary year.
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