Catherine Lorent works with an expanded Baroque concept of art that exposes the contradictions of the modern Western way of life and questions dialectical thought. Her very practice undermines well-established categories, combining painting, drawing and sculpture with performance, music and theatrical stagings into visually and acoustically charged installations. Her musical project Gran Horno, in which she acts simultaneously as a visual artist and a multi-instrumentalist, epitomizes this multidisciplinary approach, which at first sight appears to pander to the current trend towards “event exhibitions.
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