The March issue of Texte zur Kunst is dedicated to Los Angeles artist Mike Kelley, who died one year ago. During the three and a half decades in which he was active as an artist, the vast majority of criticism written about Kelley—both positive and negative—was produced by members of his own generation. For them, his oeuvre constitutes an intervention into what had been the status quo. His examination of culture’s objects, practices, and narratives revealed the contradictions between hegemonic culture and socially marginal cultural forms.
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