Marco Godinho’s exhibition is evolving through three stages: following an initial presentation at Neuer Kunstverein Aschaffenburg (September–November 2012), it is the turn of Casino Luxembourg – Forum d’art contemporain to host it (19 January–28 April 2013) before its final presentation at Faux Mouvement – Centre d’art contemporain in Metz in the Spring of 2013. This approach allows him to feed on the context of each site, while varying the constellation of the body of artworks presented—which include both existing pieces and new productions each time. These successive changes of location make Invisible More Visible More Invisible an experience stamped with nomadic flexibility that is particularly concerned with undoing established orders of political and cultural structures through artworks that appear at the same time as poetic, philosophical and conceptual.
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