Damian Moppett’s artistic practice uses a wide variety of media to question existing notions of mastery, craftsmanship and value. Drawing on broad references from the history of modern art, Moppett uses the mediums of sculpture, painting, photography, drawing and video, often in relationship to each other, as a meditation on the activity of making art.
Images of the artist’s studio appear frequently in Moppett’s work, showing the studio as both a site of experimentation and a theatrical setting for the performative nature of artmaking. Images of Moppett’s studio are visually dense, cluttered with objects, materials and artworks in process, in a working space often dramatically lit.
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