Rosemarie Trockel does not welcome the rigid drill of the retrospective. Despite her having built up a considerable body of work over the past thirty years, no comprehensive overview has yet been made of her oeuvre. The only possible explanation for such a situation is her deliberate withdrawal from the process of academic/historical record-keeping, a withdrawal entirely in keeping with her claim that she has always felt more “interest in internal contradiction and incoherence.
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