The presence of the body and the movements are readable in the work of Jonathan Binet. Every painting, every line, every spray is the result of a premeditation which generates a route stuffed with obstacles, as spontaneous as calculated: the exhibition.
For Jonathan Binet, the context is essential and the work has to adapt itself to the space. A radiator for example, influences the production of the work quite as its hanging and interacts in the way of looking at the picture.
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