The concept of nature has acquired a new relevance in the hyper-technological age, leading many artists to reflect on artificial environments where one is unable to trust what is real and what is not. A significant number of artists today challenge the gap between traditional perceptions of “nature” and “culture.” In many cases, they introduce new understandings of the sublime that replace its romanticism and the related sense of awe with a diverse range of critical, political and poetic approaches.
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