Lifting the title from William Wyler’s 1958 film The Big Country, Stephen Chambers has made a colossal print stretching across two walls of The Large Weston Room dealing with expanse, journeying and migration.
The work is made up of 78 screen-prints configured in an eccentric, irregular format.
Each of these blocks of images constitutes a vignette; depictions of encounters or solitary individuals. On a technical level, it is the fusion of the analogue and the digital.
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