The group show: it’s the mainstay of most galleries summer programs. Recent reviews by Chris Sharp, Anna Gritz, Adam Kleinman, Kevin McGarry, and Tyler Coburn demonstrate how seasonal timing has yielded rare curatorial liberties: be it concepts that imbricate the immaterial in material realities or the ever more present surface-level similarities. Paradoxically, the looseness of these shows’ concepts serves up unusual humor, tongue-in-cheek word plays, and the chance to select a cross section of artist circles and generations, as Gritz writes of Lemoncello’s “We Love You.
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