Curated by Inci Eviner, Jan Kaila, and Henk Slager
Once the artistic model could traditionally be described as an experience-based experiment. The current situation of research-based artistic practices, however, could rather be considered an experiment-based experience where predominantly laboratory-type settings and working methods produce artistic thought processes connected with specific forms of knowledge. Those forms of knowledge evade knowledge-attitudes that have been formatted, disciplined, and instrumentalized by contemporary cognitive capitalism and could be characterized as un-knowledge, non-knowledge, not-yet knowledge, sensuous knowledge, singularizing knowledge, or tacit knowledge.
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