In 2012 the French curator Catherine David is invited to develop an exhibition project for all exhibition spaces at the Secession.
Mutatis Mutandis assembles a number of works exploring the complexity of contemporary events, materiality, history, and memories and proposing possible re-presentations. Discontinuous narratives, as well as formal and mental strategies re-editing information and images, are questioning the functioning of visible and invisible structures and networks. They also challenge—through the sometimes paradoxical use of modern and traditional medium—the complexities of contemporary subjectivities.
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