I’m fascinated by the idea of doing something without being sure of what it will become, and without anyone else being sure what it will become. I will never know, and no one else will know: that is how I think of art.
The brief span of Michel Majerus’s career coincides with two major revolutions: one technological, the other political. The artist’s work reached its creative peak and made its mark on the international art scene in 1996, when the Internet was emerging as a new phenomenon.
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