The title of Heier’s exhibition makes use of the concept of ‘surplus.’ The complexity of the concept is exploited in the exhibition to shed light on different value systems set up in opposition to one another, and thereby also on the dialectic between scarcity and surplus. Heier investigates how financial capital and cultural capital are often overlapping value systems, but their various cycles and mechanisms are not always compatible. Something falls through the cracks, something cannot be translated from one to the other.
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