“The story of de-creation reminds us that art is anti-technique. If I have organized this de-creation as a theater, it is not only to extend the theatrical stage of disfigurement, described by Jacques Rancière in his history of abstract painting, to all artistic practices. It is also to demonstrate the reversibility of creation and de-creation, which are part of artwork in any circumstance, at the moment in which the creative process is qualified as a work of art and at its disqualification as a product or cultural fetish.
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