In the latest issue of frieze Jörg Heiser asks what our interest in the face tells us about contemporary communication: ‘Faces have always been objects of fascination and scrutiny. But the focus has become more complicated and intensified by recent changes in technological and socio-economic conditions.’
Other highlights of the April issue include:
Face/Off: art historian Tom Holert on anonymity and iconography in contemporary protest culture.
Picture This: photographer Christina Zück examines the ‘enraptured faces’ of photographic portraiture.
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