By Carrie Stern
Is there anything left to say? That’s the question I asked myself as I watched one of the seminal companies of the 20th century on the final leg of its final tour — the Merce Cunningham Dance Company at the Brooklyn Academy of Music, where Cunningham first performed with musician John Cage in 1952.
Another critic, seated next to me, said she had come simply to pay her respects. Clearly, so had many in the audience. Middle-aged and
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