Jiang Pengyi, “Ultra giclee,” 2010.

Fonds régional d’art contemporain
des Pays de la Loire
19 November 2011–22 January 2012

Chinese art is hot.
But it is also in crisis. Its success in the global market system and institutions of representations—from galleries, museums, media to fashion industry, and even diplomatic operations, not to mention the private collections and trading—is transforming it into a more and more “typical” production of the society of the spectacle, and perfect commodity.

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