Nedko Solakov, “Poster for The Image of Europe project Streets of Nicosia, Cyprus,” 1995.
64 x 90 cm.

Fondazione Galleria Civica
8 October 2011–5 February 2012

Can the exhibition format be transformed into an act of storytelling?
May a museum host an exhibition made only of the worst works, works rejected, for example, by other institutions?
Can art institutions, as well as artworks, be experienced not only through their beauty and meaning, but, more amusingly, also through their unavoidable imperfections and negotiations, as part of a flexible and open discourse on what contemporary art is, has become, could be?

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