Paulo Nimer PJota, “(índice 1, contiguidade não imediata),” 2011.
Acrylic, charcoal, pencil, pen, masking tape, and tracing paper on canvas, triptych, 200 x 465 cm.

Bearing a new name and introducing significant structural modifications over its past editions, the 17th International Contemporary Art Festival SESC_Videobrasil broadens its scope in several directions. The Southern Panoramas competitive exhibition now opens itself up to the multiplicity of medias that defines current production, aside from remaining a traditional showcase for recent production from Latin America, Africa, Asia, Eastern Europe, the Middle East and Oceania.

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