Enrique Ježik, “What comes from outside is reinforced from within,” 2008.
Action-intervention at The MeetFactory, Prague.
Courtesy of the artist.

Museo Universitario Arte Contemporaneo, MUAC
11 June–November 2011

In the last two decades Enrique Ježik (Cordoba, Argentina, 1961) has deployed a complex work of exploring the structures and devices of power, surveillance, repression, control and violence, from within the polymorphic practice of contemporary sculpture. For this artist, sculpture is a way of thinking power and violence as a stubborn drive on body matter. His performances, videos, and specific interventions that involve tactics—ranging from the use of bullets to Braille writing—testify to a historical period where the means of destruction and control technologies create the spaces, metaphors, devices and paths of politics.

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