Tamara Kvesitadze’s reflection on visual art surpasses any medium-specific category. The way she is dealing with various media can be described most aptly by the term “whatever,” in the positive sense of “being such that it always matters.” One could indeed argue that Kvesitadze’s artistic practice engages in what Gilles Deleuze in What is Philosophy would call “a non-philosophical understanding of philosophical matters.”

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