Cerith Wyn Evans, S=U=P=E=R=S=T=R=U=C=T=U=R=E, (“Trace me back to some loud, shallow, chill, underlying motive’s overspill…”), 2010.

March has been a busy month for Agenda seeing our writers probe no less than five European gallery shows and two international art events: Quinn Latimer on Sofia Hulten at RaebervonStenglin, Zürich; Vivian Sky Rehberg on Joachim Koester at Jan Mot, Brussels; Octavio Zaya on Elmgreen & Dragset at Galeria Helga de Alvear, Madrid, and in Berlin, Kirsty Bell on Cerith Wyn Evans’ ambient neons at Galerie Neu, and Adam Keinman on James Franco at Peres Projects within the context of the recent Guttenberg scandal.

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