John Chamberlain, “Trixie Dee,” 1963.*

Kunsthaus Graz
Universalmuseum Joanneum
5 February – 15 May 2011

The term “anti-form” in the 1960s represented the abandonment of the traditional concept of art and sculpture. It was a radical challenge that opened doors to new aesthetic worlds, and was followed in the 1980s and 1990s by a further wave of novel sculptures whose influence is still perceptible today.

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