Vladimir Petek, “Sretanja / Encounters,” 1963.
8′, 35 mm, film still.*

Moderna galerija / Museum of Modern Art
22 December 2010 – 28 February 2011

Experimental film—one of the most exciting forms of cinematic expression and, paradoxically, also one of the most ignored by the various (historical, theoretical, critical, economic, educational, etc.) discourses on the cinema—has long been predominantly the domain of rather marginalized theory and practice, separated from the mainstream.

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