André Kertész, “Nageur sous l’eau, Esztergom,” 1917.
Bibliothèque Nationale de France, Paris.

Jeu de Paume?
Until 6 February 2011

There has never been a proper retrospective of the work of André Kertész (Budapest, 1894–New York, 1985) in Europe, even though he donated all his negatives to the French state. And yet he is one of the most important photographers of the 20th century, both for the richness of his body of work and for the sheer longevity of his career.

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