Cover, “Contemporary Chinese Art: Primary Documents”, 2010.
Edited by Wu Hung, with the assistance of Peggy Wang.
The Museum of Modern Art, New York
The liveliness and creativity of avant-garde Chinese art in the post-Mao era has led to its current prominence in the world of international contemporary art. Yet until now, a systematic introduction to this important work has been unavailable in any Western language; moreover, most of the relevant primary documents have existed only in Chinese, scattered in hard-to-find publications.
// From our friends at E-Flux