Cover, “Contemporary Chinese Art: Primary Documents”, 2010.
Edited by Wu Hung, with the assistance of Peggy Wang.

The Museum of Modern Art, New York

The liveliness and creativity of avant-garde Chinese art in the post-Mao era has led to its current prominence in the world of international contemporary art. Yet until now, a systematic introduction to this important work has been unavailable in any Western language; moreover, most of the relevant primary documents have existed only in Chinese, scattered in hard-to-find publications.

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