By Carrie Stern
Is it possible for a choreographer to accurately denote the ebb and flow of the social dance floor? How accurately can a specific experience be replicated in a theatrical performance? And, is it really possible to merge art dance technique with social dance form to arrive at something new?
Rarely have these questions been as clear as they were in the final offering — on June 24 — of this year’s Souls of Our Feet: People of Color
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